Pindunk is a typeface inspired from gothic style. The Pindunk typeface includes a full set of uppercase and lowercase letters as well as multi-lingual and currency support, numerals, punctuations, alternates, ligatures and some extra glyphs.
Download Crozzoe Fonts by TamaPutra
Crozzoe is a decorative blackletter typeface inspired by victorian style. The Crozzoe typeface includes a full set of uppercase and lowercase letters as well as multi-lingual and currency support, numerals, punctuations, alternates, ligatures and some extra glyphs.
Download Charly Fonts by PizzaDude.dk
You may never really know who Charly was, because all of a sudden he was there. Multilingual support!
Download Cast Fonts by DominiqueKerber
Cast is a subtle sans serif type family of twelve weights with great properties for professional typography.
Open forms, strive for perfect curves and a modern and slightly technical touch are attributes of Cast.
The weights from light to black (upright and italic) are well graded and the 478 glyphs per style cover an extended range of Latin languages (Latin Extended-A).
Numbers of OpenType features allow different figure sets, fractions and much more.
The manual kerning for every single weight represents the care and the quality of this font.
An outstanding attribute of Cast is the performance in every size. More Cast had its beginning in 2007 during Dominique Kerbers Typedesign study (CAS Typedesign) at the ZHdK in Zurich (Switzerland).
After graduation, Dominique Kerber continued working on this project to release the fully developed font in March 2011.
In June 2018 the type family was extended by the (true) italic. The professional exchange with his former fellow student Alex Meier in a shared studio offered Dominique Kerber enrichment in this lengthy process.
The concept of Cast is to combine the optical and formal requirements to a type in small text with the ones for display or signage use.
Are ink traps necessary for example? Do they look nice in big sizes? How does optimal legibility behave in varying dimensions? What technical opportunities are there? Cast gives its own (possible) answers to these and hopefully some other questions in typography.
For more information, download the PDF specimen.
Open forms, strive for perfect curves and a modern and slightly technical touch are attributes of Cast.
The weights from light to black (upright and italic) are well graded and the 478 glyphs per style cover an extended range of Latin languages (Latin Extended-A).
Numbers of OpenType features allow different figure sets, fractions and much more.
The manual kerning for every single weight represents the care and the quality of this font.
An outstanding attribute of Cast is the performance in every size. More Cast had its beginning in 2007 during Dominique Kerbers Typedesign study (CAS Typedesign) at the ZHdK in Zurich (Switzerland).
After graduation, Dominique Kerber continued working on this project to release the fully developed font in March 2011.
In June 2018 the type family was extended by the (true) italic. The professional exchange with his former fellow student Alex Meier in a shared studio offered Dominique Kerber enrichment in this lengthy process.
The concept of Cast is to combine the optical and formal requirements to a type in small text with the ones for display or signage use.
Are ink traps necessary for example? Do they look nice in big sizes? How does optimal legibility behave in varying dimensions? What technical opportunities are there? Cast gives its own (possible) answers to these and hopefully some other questions in typography.
For more information, download the PDF specimen.
Download PBRomanUncialVc Fonts by PawełBurgiel
PB Roman Uncial Vc is a font face designed for imitate Roman uncial writing style found in manuscripts from 4th to 5th century.
All characters are handwritten by use ink and reed pen (calamus), scanned, digitized and optimized for best quality without lost its handwritten visual appearance.
Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic.
Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.
), historical characters (overlined Roman numerals, abbreviations, I-longa, historical ligatures for nomina sacra and notae communes) and wide range of ancient punctuation.
OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Alternative Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Stylistic Alternates, Stylistic Set 1, Historical Forms, Historical Ligatures.
Include also kerning as single kern table for maximum possible backwards compatibility with older software.
Historical ligatures for nomina sacra and notae communes are mapped to Private Use Area codepoints.
All characters are handwritten by use ink and reed pen (calamus), scanned, digitized and optimized for best quality without lost its handwritten visual appearance.
Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic.
Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.
), historical characters (overlined Roman numerals, abbreviations, I-longa, historical ligatures for nomina sacra and notae communes) and wide range of ancient punctuation.
OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Alternative Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Stylistic Alternates, Stylistic Set 1, Historical Forms, Historical Ligatures.
Include also kerning as single kern table for maximum possible backwards compatibility with older software.
Historical ligatures for nomina sacra and notae communes are mapped to Private Use Area codepoints.
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