Alica Don

Constant is a meticulously constructed slab serif display typeface of a sturdy lineage. The strong horizontal and vertical rhythm and calculated angles dominate its appearance, yet sweeping broad shapes infuse the design with an overall warm undertone.

Constant is best suited for setting short headlines, word marks, posters and other visual communication ephemera. Particular when set in all uppercase the typeface’s squarish and resolute nature commands attention and projects authority. Despite the prominent slab serifs and their angular corner details, these fonts work well also for shorter text passages, especially in the lighter to medium weights. When typesetting Constant in paragraphs spanning several lines the face requires a fair amount of leading to not appear vertically compressed.

As customary for Underscore’s catalog the fonts have very extensive support for languages in the Latin script, reaching from Afrikaans to Vietnamese and Zulu. The fonts are carefully spaced, kerned and hinted, and include a variety of typographic glyphs and OpenType features like various ligatures, number features and case alternatives.

Constant has been developed and released in 2018 as the proud forth release from the Underscore label. This design by Johannes Neumeier is available from the Underscore webshop as well as selected retailers.

With smooth curves and a deliciously bold personality, InstaLove Smooth leaves good vibes wherever it goes.

The InstaLove Smooth Brush font is loaded with opentype features including character alternates and a large selection of natural looking ligatures. Scroll through the previews to get a good feel for what it can do.

Included in the glyphs are 8 super handy swashes , and a few extra doodles, to add some extra punch to your designs.

Perfect for making a bold statement, and getting second glances - InstaLove won’t let you down.

Yu Kyokasyotai is a contemporary textbook face that incorporates the strokes of ballpoint pen or pencil. Developed in collaboration with a textbook publisher, this typeface meets the requirements of textbook faces, such as stroke order of Kanji or proportion of Hiragana and Katakana characters. The typeface consists of two styles, one intended for vertical typesetting (for reading or penmanship textbooks) and the other for horizontal typesetting (for mathematics or science textbooks).

游教科書体 Nファミリーは、ボールペンや鉛筆などの硬筆で書かれた筆跡を取り入れた現代的な教科書体です。
教科書制作会社と共同開発することによって、漢字の筆順や仮名の筆法など、教科書体に求められるスペックを高いレベルでクリアしています。また国語や書写に適した縦組用と算数や理科に適した横組用の２つのフォントをパッケージしましたので、用途に合わせて使いわけていただけます。

Yu Kantei is a typeface of Kantei style which was originally developed in Edo period (1603–1868) for Kabuki signages. Fat and curvy strokes are designed to fill as much of the counter as possible to represent and wish for the Kabuki seats to be full. Yu Kantei preserves the Kantei style while some parts are arranged to improve legibility.

勘亭流は江戸時代に作られた歌舞伎の看板などに使われる肉太の文字で、うねった線で隙間なく構成されたとても個性的な書体です。隙間を嫌うのは、お客さんが隙間なく入るようにとの願いがこめられたものとされ、縁起文字として現代でも根強い人気があります。
游勘亭流は太くうねるような筆法や隙間を埋める構成などの勘亭流の特徴を継承しながら、読みやすくなるようにアレンジしています。

Yutuki Midashi Mincho is a headline and display Mincho typeface based on a design of a metal type from Taisho period (1912–1926). Yutuki Midashi Mincho works excellent in large-size use such as book cover or titles.

游築見出し明朝体は、大正時代の金属活字をベースに制作された見出し用の明朝体です。
当時の活字は、専門の職人によって一文字一文字彫刻刀で彫られた種字を元に作られていました。原寸・逆字で彫るという悪条件の中、彼らが残した仕事は、明朝体デザインの古典として、現在でも高く評価されています。装丁、エディトリアルデザインのタイトルなど大きなサイズで真価を発揮する書体です。