Alica Don

This font set is the second in a series from P22 type foundry based on the lettering styles of Frank Lloyd Wright. Created in 1931, the Exhibition lettering was intended primarily to accompany Frank Lloyd Wright’s exhibition drawings and models.
Many of the 72 Extras were designed to form continuous linking borders. Combinations of these geometric forms can provide endless variations of decorative elements in the style of Frank Lloyd Wright. Many of these images were based on Mr Wright’s “Saguaro Forms and Cactus Flowers” illustration for an unused Liberty magazine cover of 1926. Other imagery in this set was derived from assorted geometric designs by Wright.

Exhibition Regular, Light, and Bold have been remastered and now contain almost 400 characters including support for Western and Central European languages.

The lettering and 100 Extras for this font set, the third in P22’s Wright series, are derived from letterforms and decorative embellishments found in Wright’s early work (1893-1910) and in his book, The House Beautiful (1896-97). Wright based his delicate graphic designs on stylized natural plant forms; Terracotta users can adorn their graphic products with these beautiful motifs.

Terracotta Regular and Terracotta Alt have been remastered and now contain almost 400 characters including support for Western and Central European languages.

This font set is based on Frank Lloyd Wright’s hand-lettering found on the Chicago Midway Gardens working drawings from 1913. This type of architectural lettering is a bit more casual than standard lettering found on most blueprints. It evokes the personality of Frank Lloyd Wright and complements the other fonts in the P22 FLW font series.

Midway One and Midway Two can be used interchangeably to give a more naturalistic feeling of hand lettering. Midway Ornaments features over 100 decorative border elements that can be combined is many ways for surprising and effective decorative motifs.

Midway One and Midway Two have been remastered and now contain over 400 characters including support for Western and Central European languages.

Spitzenklasse is for that project of yours, where you need something really stylized, legible and beautiful at the same time!

Chapman is the result of spending too many hours staring at the often all-capital engraver typefaces from long-gone foundries. The wide serifs, high contrast, and various widths seem to have so much character but also remain so neutral.

From these references, Chapman began to emerge. It seemed natural that the lowercase would be based on a Scotch Roman model, much like the original all-capital faces. Chapman does not pull directly from any one source but from the genres themselves.

It was, from the beginning, the goal to create a typeface that would be relatively neutral but not boring; an adaptable solution that works anywhere and, depending on the chosen width, can be squeezed or stretched to fit anywhere. The idiosyncrasies of the original designs are tamed in some places and turned up in others. The result is something familiar but unique and contemporary.