Roundabout is a hand drawn, top heavy font that comes in three variations: a regular version with decorative fill and inner lines and simplified options with just the fill or just the outline. The uppercase and lowercase letters are the same with the exceptions of the characters k, n, r, x, and y.
Mistletoe is a multi-colored OpenType SVG font to brighten up the holiday season. It contains hand drawn, thick serif lettering with a leaf and berry pattern inside. Since it’s an all caps font, it’s ideal for short but large blocks of text.
This package includes the color font plus a single color fallback variation. Color fonts are supported in Illustrator CC 2018 and Photoshop CC 2017 plus Firefox and Microsoft Edge on the web.
Stitching Love is a cross-stitch font made to add that crafty feeling to your design projects. It has both upper- and lowercase sans serif letters and comes with a number of decorative ornaments and border elements that you can combine in many different ways.
Introducing Signatra; a clean and playful yet trendy script typeface. Mouse-crafted with high attention to the details; Signatra offers you a natural hand-lettering/signpainting experience. Suits best for logotype, poster/t-shirt designs, food/beverage labels, greeting cards, wedding invitations, etc.
Consists of +400 glyphs (includes some OpenType Features like ligatures, special-alternate characters, swashes, initial-terminal forms, multingual characters, etc), Signatra is a great addition for your designing arsenal.
KAPITAL is an elegant, geometric uppercase sans. It is available in standard and stencil style across four weights – light | regular | medium | demi – covering 346 glyphs.
It is based on the capital character set from a previous release – Basik. Continuing the clean, geometric aesthetics, KAPITAL was refined further to create a more minimal style. This enabled the characters to discreetly perform their role – to simply convey the message of the writer without distraction.
To achieve this, special attention was applied to the form consistency of the glyphs across the weights and negative space throughout. In many typefaces as the weight is increased the form and style can deviate significantly from the original design. With regards to negative space – although inevitable – wherever possible key letterforms were adjusted to alleviate this.